WHITELANDS

Bringing beautiful soundscapes and emotion meet Whitelands; A shoegaze band from London as we discuss their musical journey and the themes of their latest album “Night-bound Eyes Are Blind To The Day”.

Back in February I went to a solo gig to see Slowdive live at the Eventim Apollo. Whitelands were their supporting act and until that night I had not heard of them. As they started to play, I was in awe. Their beautiful chords, dreamy but powerful vocals painted an auditory image in my mind as I saw them perform. As a natural observer I looked around me and saw the audience in the same boat as I, closing their eyes and swaying, jumping up and down or nodding their head on beat - It was evident this was a collective experience. After the night ended I walked into the main lobby where I found members Ettiene, Jagun and Michael greeting fans. I approached and asked if they would like to be part of my blog and luckily they were very enthusiastic to be a part of this!

We met after your supporting act for Slowdive at the Eventim Apollo; I just wanted to know how it was to tour with such a legendary shoegaze band? 

“It was truly an honour to tour with Slowdive, with our album coming out halfway throughout the tour, it was one of the best things that could have happened to us as musicians, and on a personal level it was a dream to tour with my heroes.”

Being amongst the crowd I observed and noticed the range of people within the audience too; there were young fans with dyed hair, vintage clothes and piercings to middle aged rock fans with leather jackets and doc martens all the way to the typical British pub dads all meeting together enjoying music - how was it to play your music to such a wide audience? 

“It's always fun to play to such a diverse audience. I think for the first time in our careers we were playing to a lot more children than adults, I think the rise of social media and Tiktok helped a lot more of the younger generation get into the genre.” 

Was there a favourite moment from that tour? 

“It was when there was a bit of social media buzz and we were seeing the venues fill out early for us, I don't usually see packed venues for the openers, but it was really affirming.”

What does music mean to you? 

“For me it's just another form of communication, a way to symbolize and represent emotions and ideas.”

What is your favourite part about being a musician?

“Definitely travelling to new places and meeting new people, oh and all the yummy food to try!”

What have you learnt about yourself through your musical journey? 

“I guess learning to be more “Human” and opening myself up to experiences and say yes more.”

What has been a challenge for you through your musical journey?

“I think finding the balance between work university and music has been a tough one, even on the tour I was still doing university assignments and that's kind of been a consistent headache since we were eighteen.”

What is one of your proudest achievements in your musical journey?

“Touring with Slowdive :)”

Where did the band name Whiteland's come from?

“It was from the first place I performed, a campus in Roehampton University called Whitelands, I did an acoustic set for my friend's birthday and picked the name when a older man asked us what it was!”

COVER ART

The cover art for your singles building up to your latest album all have some sort of abstract painting with bold colours- where did this idea come from? 

“There's this software called Mendelbulb3d, it makes fractal art that looks super 3d generated, I figured out a way one day to make it look like flow paintings and stuck with that software ever since. now that the album rollout is over that era is unfortunately going with it.”

Have you chosen these colours to match the feeling of the song at all?

“I did try my best, I hope it translates well!”

Shoegaze is starting to have its own subgenres branching out now with all kinds of new sounds. I was curious to ask if there were any different genres or sounds you are experimenting with? 

“I’ve been experimenting with a lot of synths and drum machines and stuff, some RNB, lots of neo-soul, but for album 2 we really are not sure what direction to take!”

I would describe Whitelands sound as iridescent waves washing over a beach; I'm curious to know; how would you describe your sound as? 

“I think I would describe it as more woolly, fuzzy and chiming or in a longer sentence, like the glide over a waters edge.”

Your music is filled with all these beautiful moments with effects and instrumental changes - I wanted to know when you write music - what drives the creative process? Do you go in with a feeling first or lyrics or is it different each time?

 “I go both with feelings first then try to explain it with the lyrics or sometimes with a melody, then I try to attach feeling to that melody.”

Shoegaze is quite a niche genre, something that I personally stumbled upon through Youtube recommendations where I discovered Slowdive - Sleep. Where did you first stumble across the genre? 

“I first discovered shoegaze properly through Slowdives KEXP, a truly defining moment for me in the band's sound and how I thought about music.”

What is it about shoegaze that you love so much to make your take on it - for example is it the emotional vulnerability of the sounds and lyrics the genre offers? 

“I really like how raw and emotional it is, and as someone who usually struggles with emotions it's nice to have someone else explain them for you.”

Night-bound Eyes Are Blind To The Day

Reading the album name; I personally got the metaphor of when someone is used to the dark (sadness) they are blind to the day (happiness) or even on a more social point of view; those who are brought up in a specific state of belief or opinions (e.g racism, sexism etc etc) tend to struggle to be open minded to learn and understand other points of views; was this the meaning you were going after? 

“Actually yes! you got it right exactly; the album covers those exact themes.”

On the album's post on Amazon I saw your collective frustration on how black males have this expectation to make aggressive music. Your music breaks those stereotypes and creates a space for them to express their vulnerable emotions - I wanted to ask if you have any advice for men about being vulnerable and opening themselves up to expressing those emotions?

“I think the best way is learning to identify these emotions and express them in healthy ways, repressing a key aspect of your humanity prevents you from being able to connect with others, learning about yourself and knowing yourself is the only way you can overcome a lot of things that cause you pain.”

I truly believe your music brings a chance for people to be people again, in modern life it is getting tougher and tougher for people to really show emotion, especially men - you make a space for people to be humans and explore those emotions as complex as they may be, I genuinely wanted to say thank you for sticking to your beliefs, do you have any stories of you seeing this positive impact happen amongst your consumers?  

“Thank you so much, I really appreciate it! It is a big part of the way that capitalism objectifies people that makes it so hard to show emotions, it forces individuality, destroys community, and prevents people from guiding their children. It is intended to keep people at work all hours of the day and why there is such a prevalence of people forming their own cults.”

Is there a song that was more of a challenge to write than expected?

Born In Understanding was the hardest song to write. It took about two years to finish due to a lack of funds and just figuring out that bit before the last chorus. But once it was done it was done!”

“TELL ME ABOUT IT”

(Listen to Tell Me About It as you read here!)

As one of my favourite songs is 'Tell Me About It' I wanted to explore some of the lyrics and give my interpretation of them and we can discuss them together. It may not be accurate to your original meaning but that's what art is about! 
 
"How can you tell with loving? 
How do you hear the answers? 
How do feet match the guidelines 
I never learn the dance I" 
 
To me this is quite literally asking "how do you love?" Love being this dance that the person in this song hasn't quite learnt yet, full of curiosity they ask what the moves are to this dance. Asking how do you hear the answers is really interesting to me because in being in a relationship you must learn someone else's love languages - the answer you are looking for may be given by your partner all along but in a different language to what you may be used to yet it is still the same answer; I do love you and this is how I show it.  

“You are completely right with this, I find with being neurodivergent myself I am at a different pace to the rest of my peers, it is crazy because I have friends getting married, living together they seem very assured with that aspect of their life and I’m still trying to figure it out at 24. I came out of a relationship that was in hindsight obviously not good for me at all, I am safely out of it, but navigating dating again has been a headache, especially with music and work and studying, it does not give me a fighting chance.”

"How do you love, when loving 
Never feels like love is?" 
 
This line in particular stood out to me. It is like asking how do you love when giving isn't the same feeling as receiving, it is like asking how do you keep doing those actions, keep expressing those feelings and in essence keep giving when it isn't the same feeling as receiving love. It isn't such a straight forward feeling. There Is no universal one feeling for love, how do you give knowing it is reciprocated? It also stood out to me from past experiences with friends or partners where I cant express my love as much as I actually feel it, sometimes I feel like no matter how hard I show them how much I love them, I still feel like it doesn't show all 100% of it, like there's always some more left over - it's an endless chase linking to "loving never feels like love is" my actions can never match how much I really love them.

“For me it was just never being treated entirely right in relationships, or maybe not knowing how to treat someone else right, I had not been too sure if I was “loving” properly, I still do not know but I’m trying!”

"When I'm hurt, I see colours, symbols and patterns, scribbles in darkness 
And I hope I don't see a thing with you" 
 
This line was so interesting to me I had two possible thought processes. One being as an artist you have the ability to turn pain into art. Darkness into colours, making patterns out of mess but this time I hope I don't see a thing with you seems to me like A. I hope there isn't a chance for me to see that with you, with no pain comes no colours, symbols and patterns, scribbles in darkness, all the things we make are out of happiness and light or B. If there is hurt; I hope I don't see anything. I hope I'm almost blind to it, numb to it so I don't have to relive it all when making art. I can just move on and close that door - there's nothing behind it for me to discover because if I would see things, it would be too much to handle.

“Since I was 16, I noticed I had a form of Synesthesia, emotion-color, but it only comes when I'm depressed or stressed which is probably the shittest form of it. Blues, yellows, and black when I close my eyes. I am just hoping not to feel like that anymore. You are right, I am hoping I won't have the chance to see those again with the right person.”

Etienne you have mentioned previously that you take in a lot of media. Is there a movie, game or tv-series you would love to have your music be on the soundtrack of? 

“Something by Hideo Kojima, a Wong-Kar Wai film, even a new Evangelion or FLCL!”

Do you have any advice to anyone out there who wants to be a musician? 

“Take it slow, find your flow and things will fit into place, don’t go broke though, music is expensive!”

Is there anything coming up you would like to promote?

“Our single “Cheer” coming out July 7th!”

LISTEN TO WHITELANDS HERE